Paintings conservator Ingrid Ford continues our series on the treatment of On the Sea-Beat Shore by William Calderon. View the first two installments here.
So
onto the treatment!
Once
the painting was laid out, we needed to come up with a plan on what steps we
could achieve in the time the work was in the lab.
Our
first step had to be to clean and consolidate the cracked and damaged paint. Constant rolling and unrolling of the work to access the back and the front
meant added stress to the paint layer that we hoped to avoid. By consolidating the damaged paint we could
safely turn the painting back over to work on the repair of the tears, but that
will come later!
After
a number of tests to sections of the painting, we were able to determine which
cleaning solution was the most effective.
Although the areas of damaged paint certainly needed to be stabilised,
we had to clean the dirt off first otherwise we would be adhering dirt to the
surface!
After
settling on a suitable cleaning solution, the surface dirt of general dust and
grime from decades of age and storage came off easily. By rolling the damp
cotton swabs over the surface we were able to remove the dirt without
disturbing the fragile paint around the damaged areas.
Nel and Ingrid cleaning the paint
surface
Although
the swab came of dark and dirty, the overall image didn’t change much,
highlighting to us just how discoloured the varnish truly was beneath the layer
of surface dirt.
Dirt from cleaning the surface
layer
As
previously mentioned, many of the losses were a result of creases to the
support, whereas some involved more significant and deeper losses.
Deep paint loss exposing canvas
Paint losses caused by creases
Our
next step required the consolidation of the damaged paint around the losses. Using Isinglass, (a conservation grade fish
glue) the fragile paint was carefully re-adhered to the support with a fine
brush soaking the adhesive between the lifting paint and the canvas
support.
Sarah and Nel consolidating the
damaged areas of paint
Having
successfully cleaned and consolidated the paint layer, we were ready to turn
the painting back over and tackle the repairing of the tears, but that is for
the next instalment.
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