Our Assistant Registrar Fiona Moorhead has joined the ranks of Gallery bloggers to share some snapshots of her recent travels...
Documenta is a contemporary art event held in Kassel, Germany once every five years. During the 100 days of Documenta, the population of Kassel swells as hundreds of thousands of art fans make the pilgrimage to this small town in the middle of Germany. You have to wonder how the town's citizens deal with this onslaught, and what they think of the strange and wonderful artworks left behind. This year, for Documenta13, I made the journey, and here are a few thoughts and images I've taken away from this visit.
Documenta is a contemporary art event held in Kassel, Germany once every five years. During the 100 days of Documenta, the population of Kassel swells as hundreds of thousands of art fans make the pilgrimage to this small town in the middle of Germany. You have to wonder how the town's citizens deal with this onslaught, and what they think of the strange and wonderful artworks left behind. This year, for Documenta13, I made the journey, and here are a few thoughts and images I've taken away from this visit.
A notable feature of Documenta is the variety of venues: in addition to the
main venues of traditional museum and gallery spaces, the event spreads across
the city, invading city gardens, a planetarium, natural history museum, an
abandoned hotel, shops, cinemas, the train station and a children's library,
just to name a few. Many artists present works that are incidental to the
location in which they are presented, but some artists create works that respond
to their environment.
One artwork that had a strong connection to its location was Janet Cardiff
and George Bures Miller's work 'Alter Bahnhof Video Walk' which was based in the
Kassel Hauptbahnhof (main train station).
Visitors were invited to borrow an iPod loaded with a video and sound
piece, which instructed you to follow the video maker's movements through the
station. The narrator mused on the physical location (taking you to the
platform where trains departed to concentration camps during World War II), as
well as more internal wanderings, through ideas of memory, place and
relationships to loved ones. The result was an intriguing form of augmented
reality, where the events taking place in the video seemed to segue into
reality. The 'guided tour' feeling of the work offered another perspective to
our experience of Documenta, where, armed with maps, we navigated through
Kassel, trying to find Documenta venues, and sometimes encountering unexpected
things along the way.
With hundreds of artists' projects, lectures, congresses, film screenings,
performances and other events, no one can possibly see the full gamut that
Documenta has to offer. Instead, we all see just a small slice, and like our
experience being guided around the train station by Janet Cardiff and George
Bures Miller, we are at times engaged with the physical experiences, and other
times wrapped up in our own imaginations.
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